As the Aster Corporation increases their interest in Jake, Martin joins forces with Abigail as the stakes of Jake’s custody escalate. When Avram reiterates to Martin that Jake and Amelia, a presumed dead girl with similar characteristics as Jake, are connected, Martin sets out on a passionate mission to uncover the truth. Meanwhile, circumstances intensify when Lucy enters the picture and seemingly unrelated events are tied together.

Turn Me On, Goddammit establishes its setting with the utmost diligence as a means of understanding why exactly the people are the way they are. In a tiny town in Norway, a high school girl named Alma fantasizes about Artur. He-ll sweep her off her feet, gently love her, and they-ll explore each other-s sexual fantasies in a sort of Twilight escapade. Back to reality: Alma is simply a horny teenager who lives in a town populated by just as many sheep as there are people. The spatial setting is integral in simply putting the audience in the perspective of its characters. It-s a dull place where the sexual tension between teenagers is enough to keep things interesting.

When rich M. Ballon s spanish driver is found shot dead, Inspector Jacques Clouseau is the first official on the scene. All evidence suggests Maria Gambrelli, the maid, to be the murderer. But Clouseau, being attracted to the beautiful girl, is convinced that she is hiding something. So, he has her released from jail and tries to follow her secretly. Things do not work out the way the inspector wanted and people keep being murdered, and each time innocent Maria seems to be the killer. But with someone important wanting Clouseau and nobody else to cover this case, his tolerance-challenged boss Charles Dreyfuss is close to losing his mind when casualties keep turning up. And Clouseau keeps on causing trouble without knowing it...